Peale was born in Philadelphia as the son and first child of Rachel and Charles Willson Peale, a famous portraitist.
Lived in Philadelphia, on a home at the corner of 3rd and Lombard.
Married Martha (Patty) McGlathery at the age of 20.
First first professional exhibition was in 1795 at the age of 21.
Artist. Born Raphaelle Peale in Annapolis, Maryland on February 17, 1774, the fifth child, though eldest surviving, of Charles Willson Peale and his first wife Rachel Brewer. As with all the Peale children, Raphael was trained by his father as an artist. Early in his career, the pair collaborated on portraits. On some commissions, Raphael painted miniatures while his brother, Rembrandt, painted full size portraits.
In 1792, he made a trip to South America in order to collect specimens for the Peale's Museum. In 1797, with his brother Rembrandt, he traveled to Charleston, South Carolina, where they attempted to establish another museum. The plan fell through, however, and Raphael returned to painting miniatures.
He married Martha McGlathery at about that same time, and with her had eight children. For about two years beginning in 1803, Raphael toured Virginia with the ??physiognotrace,' a profile making machine, with which he was briefly successful. In August 1808, he was hospitalized with delirium tremens, exacerbated by severe gout. By 1813, he was unable to walk without crutches. After the downturn in his health, in an era when most artists considered still life a subject worthy only of amateurs, he devoted himself almost exclusively to still life painting. It is for these works he is best known. Raphael Peale is today considered the founder of the American Still Life school. His work was on frequent exhibit at the Pennsylvania Academy of the Fine Arts between 1814 and 1818. After reportedly indulging in a night of heavy drinking, his health destroyed, Raphael died on March 3, 1825 at age 51 at his home in Philadelphia.
Peale's tightly grouped still lifes are often permeated with a delicate melancholy akin to that which characterized the life of the artist; he was an alcoholic who suffered the effects of arsenic and mercury poisoning caused by his work as a taxidermist in his father's museum. His spare, essential style may have been influenced by the Spanish still lifes he studied in Mexico and by the works of Juan Sanchez Cotan, exhibited at the Pennsylvania Academy in 1818. Related Paintings of Raphaelle Peale :. | Boy from the Taylor Family | After the Bath | After the Bath | The Crucified Christ with the Virgin Mary,Saints and Angels | Still Life with Peaches |
Related Artists:Edward Knowles
(born 1868 in Waberthwaite e died 29 June 1945 in Skiptone) was a rugby union footballer of the 1890s who at representative level played for England, and at club level for Millom,playing in the Forwards, e.g. Front row, Lock, or Back row. Prior to the 1899/1900 season, Millom was a rugby union club.
Francois Joseph Heim
(16 December 1787 - 29 September 1865) was a French painter.
He was born at Belfort. He early distinguished himself at the École Centrale of Strassburg, and in 1803 entered the studio of Vincent at Paris. In 1807 he obtained the first prize, and in 1812 his picture of "The Return of Jacob" (Musee de Bordeaux) won for him a gold medal of the first class, which he again obtained in 1817, when he exhibited, together with other works, a St John--bought by Vivant Denon.
In 1819 the "Resurrection of Lazarus" (Cathedral Autun), the "Martyrdom of St Cyr" (St Gervais), and two scenes from the life of Vespasian (ordered by the king) attracted attention. In 1823 the "Re-erection of the Royal Tombs at St Denis," the "Martyrdom of St Laurence" (Nôtre Dame) and several full-length portraits increased the painter's popularity; and in 1824, when he exhibited his great canvas, the "Massacre of the Jews" (Louvre), Heim was rewarded with the Legion of Honour.
In 1827 appeared the "King giving away Prizes at the Salon of 1824" (Louvre--engraved by Jazet) the picture by which Heim is best known and "Saint Hyacinthe." Heim was now commissioned to decorate the Gallery Charles X (Louvre). Though ridiculed by the romantists, Heim succeeded Regnault at the Institute in 1834, shortly after which he commenced a series of drawings of the celebrities of his day, which are of much interest.
His decorations of the Conference room of the Chamber of Deputies were completed in 1844; and in 1847 his works at the Salon "Champ de Mai" and "Reading a Play at the Theâtre Français" were the signal for violent criticisms. Yet something like a turn of opinion in his favour took place at the exhibition of 1851; his powers as draughtsman and the occasional merits of his composition were recognized, and toleration extended even to his colour.
Heim was awarded the great gold medal, and in 1855--having sent to the Salon no less than sixteen portraits, amongst which may be cited those of Cuvier, Geoffroy de St Hilaire, and Madame Hersent he was made officer of the legion of honour. In 1859 he again exhibited a curious collection of portraits, sixty-four members of the Institute arranged in groups of four.
Besides the paintings already mentioned, there is to be seen in Nôtre Dame de Lorette (Paris) a work executed on the spot; and the museum of Strassburg contains an excellent example of his easel pictures, the subject of which is a Shepherd Drinking from a Spring.
cjrKarl Theodor von Piloty
German, 1826-1886,German painter. He received his first training from his father, the lithographer Ferdinand Piloty (1786-1844). In 1838 Piloty entered the Munich Akademie der Bildenden Kenste and from 1840 became a pupil of Julius Schnorr von Carolsfeld. Piloty had to manage the family business after his father's death in 1844, but in 1846 he returned to the Akademie as a pupil of Karl Schorn (1801-50). His artistic development was influenced by the work of the Antwerp artist Louis Gallait (1810-87), the heightened colour and multi-figure compositions in whose history paintings especially impressed him. Besides his study of Old Masters, especially Veronese and Rubens, he was influenced by French history painters like Paul Delaroche and Horace Vernet. His history painting Seni by the Body of Wallenstein (1855; Munich, Neue Pin.) was an enormous success, allowing him to take a leading role in the art life of Munich. In 1860 he was ennobled.