Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Related Paintings of Raphael :. | the convetsion of the proconsul sergius paulus | Holy Roman Emperor | The Ansidei Altarpiece, | Madonna of the Meadows (mk08) | Madonna of the Meadows |
Related Artists:Joseph Badger
(ca.1707-1765) was a portrait artist in Boston, Massachusetts in the 18th-century. He painted some 80 portraits of merchants, businessmen, clergy, and other notables, and their wives and children.
Badger was born in Charlestown, Massachusetts, to tailor Stephen Badger and Mercy Kettell. In 1731 he married Katharine Felch; they moved to Boston around 1733. He was a member of the Brattle Street Church.
He "began his career as a house-painter and glazier, and ... throughout his life continued this work, besides painting signs, hatchments and other heraldic devices, in order to eke out a livelihood when orders for portraits slackened."
French, 1844-1907.French painter, illustrator, designer and printmaker. He was trained at the Ecole Municipale de Dessin in Rouen under Gustave Morin (1809-86). He was obliged to sell illustrations to periodicals to make a living, contributing, among others, to Charge, Cravache, LInutile, Chronique parisienne and Courier fran?ais. His drawings were spirited, but because their humour often relied on topicality his fame was short-lived. Pavel Filonov
Pavel Filonov Locations
Russian painter, graphic artist and poet. He came from a working-class background; orphaned in childhood, he moved to St Petersburg, where he earned money through embroidery, house painting, restoring buildings and icons, and other tasks such as retouching photographs and making posters and wrappers for goods (a practical apprenticeship he never forgot). His interest in drawing and painting developed through copying, making portraits and the close study of human and animal anatomy. He entered the Academy of Arts, St Petersburg (1908) with difficulty but he left without graduating; his only important teacher was L. E. Dmitriyev-Kavkazsky (1849-1916), with whom he studied privately. Largely self-taught, he was a man of considerable intellectual powers.