Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Raphael
The Virgin and Child with Saint Anne and Saint John the Baptist
mk170 1508 141.5x104.6cm
ID: 42973

Raphael The Virgin and Child with Saint Anne and Saint John the Baptist
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Raphael The Virgin and Child with Saint Anne and Saint John the Baptist


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Raphael

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.  Related Paintings of Raphael :. | Maria Luisa von Parma Prinzessin von Asturien | The Canigiani Holy Family | st. cecilia with ss. paul, john the evangelist, augustine and mary magdalen | fresco, stanza della segnatura | Portrait of Andrea Navagero and Agostino Beazzano |
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Elisabetta Sirani
(8 January 1638 -25 August 1665) was an Italian Baroque painter whose father was the painter Giovanni Andrea Sirani of the School of Bologna She was born in Bologna. By age 17 she was a full-fledged engraver and painter and had completed over ninety works. By the time she died at the young age of 27, she had added at least eighty more to her repertoire. Besides being an independent painter by the age of 19, Elisabetta Sirani also ran her family's workshop. When her father became incapacitated by gout, she was burdened with having to support her parents, her siblings and herself, entirely through her art. The stress created by such heavy responsibilities may have been the cause of her early death. It is estimated that in all she produced some 200 paintings, drawings, and etchings. She painted themes such as the Virgin and Child, self portraits, and many more. Elisabetta Sirani used dramatic light and great movement in her work, which classified it in the Baroque style. She painted many of her larger scale and heavy-themed works publicly and in front of large (and adoring) crowds of on-lookers. Sirani's portraits, mythological subjects, and especially her images of the Holy Family and the Virgin and Child, gained international fame.
Artur Loureiro
painted Auto-Retrato in 1925
Robert Talbot Kelly
(1861 - 1934) was an English orientalist landscape and genre painter, author and illustrator. Kelly was born in Birkenhead, Cheshire, the son of Irish landscape artist Robert George Kelly. He left school in 1876 to take up work in a firm of cotton traders, but was also taught art by his father, exhibiting under the name R. G. Kelly Jnr. In the early 1880s, inspired by the places he saw while on vacation on an ocean cruise ship, Talbot-Kelly decided to take up his father's profession. He left his employment in 1882, travelled by boat to North Africa, and settled in Egypt in 1883, acquiring a studio in Cairo and becoming fluent in Arabic. He travelled throughout the country, writing about and painting the people and scenes he encountered both in towns and in the desert. He spent a considerable time with the Bedouin tribes who he described and illustrated in his 1902 book, "Egypt painted and described" (A & C Black). As his name became known he also earned an income from private commissions. He stayed in Egypt until 1915 when for reasons of health and age he returned to London - though he continued to paint constantly. An Arab cafe in Cairo (from "Egypt painted and described", 1902)"Egypt painted and described", his first illustrated travel book, was published in 1902 (by A & C Black), and was an account of his impressions and experiences of that country during his long stay there; an exhibition of his Egyptian views was also held at the Fine Art Society in the same year. His paintings and writing showed a great empathy and respect for local people and culture, especially that of the desert Bedouin Arabs.






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