Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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The Madonna and Child Enthroned with Saint John the Baptist and Saint Nicholas of Bari
mk170 dated 1505 Oil on poplar 209.6x148.6cm
ID: 42968

Raphael The Madonna and Child Enthroned with Saint John the Baptist and Saint Nicholas of Bari
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Raphael The Madonna and Child Enthroned with Saint John the Baptist and Saint Nicholas of Bari

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Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.  Related Paintings of Raphael :. | Portrait of JoseNicola de Azara | The Sacrifice at Lystra | the death of ananias | Giovanni Santi, Raphael father Christ supported by two angels, | La Donna Velata |
Related Artists:
flemish school
robert dudle 1560 london the wallace collection
SALZILLO, Francisco
Spanish sculptor (b. 1707, Murcia, d. 1783, Murcia). Spanish sculptor of Italian descent. He was trained by his father, Nicol Salzillo (1672-1727), a Neapolitan sculptor who had settled in Murcia, whose first documented work is dated 1700. Francisco also studied with the Jesuits and was taught drawing and sculpture by the cleric and painter Manuel Senchez ( fl 1731-9). He entered the Dominican Order in Murcia as a novice but left to take charge of his father's studio at the latter's death in 1727. Francisco was assisted by his brothers, Juan Antonio Salzillo and Patricio Salzillo, a priest, and by his sister, Ines Salzillo, who specialized in painting carved religious statues. In 1746 Francisco married Juana Vallejo Martenez, and in 1755 he was appointed escultor y modelista by the municipal government (ayuntamiento) and Inspector to the Inquisition for painting and sculpture in Murcia. In 1763 he established an academy
Francis William Edmonds
American, 1806-1863,American painter and banker. He achieved recognition both as a painter and as a banker, juggling careers with consummate skill. In 1826 he enrolled at the National Academy of Design while working in a New York bank. Somewhat insecure, he initially exhibited between 1836 and 1838 under the pseudonym E. F. Williams, but favourable reviews subsequently prompted him to use his own name. In 1840-41 Edmonds spent eight months in Europe, where he studied the Old Masters; he particularly admired the 17th-century Dutch painters Pieter de Hooch and Gabriel Metsu.

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