Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Raphael
The Holy Family with Beardless St.Joseph
1506 The Hermitage, St.Petersburg
ID: 03309

Raphael The Holy Family with Beardless St.Joseph
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Raphael The Holy Family with Beardless St.Joseph


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Raphael

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.  Related Paintings of Raphael :. | Self-Portrait | justice wall | The Transfiguration | Portrait of Baldassare Castiglione | Christ Falling on the Way to Calvary |
Related Artists:
Henry Salem Hubble
1870-1949 Henry Salem Hubble Galleries
John Hamilton Mortimer
ARA (1740-1779) was a British Neoclassical figure and landscape painter and printmaker, known for romantic paintings set in Italy, works depicting conversations, and works drawn in the 1770s portraying war scenes, similar to those of Salvator Rosa. Mortimer became President of the Society of Artists in 1774, five years before his death, at age 39. John Hamilton Mortimer was born on 17 September 1740 at Eastbourne. Not much is known about his family, other than that his father was a customs officer, a dealer in flour and owner of several mills. By 1757, while he was still young, he was studying in London at the Duke of Richmond's Academy. During this time he became a friend of Joseph Wright, a fellow student at the Academy - a friendship which would endure throughout Mortimer's life. Mortimer is also known to have had some professional relationship with the artist Samuel Ireland, who was involved with etching Mortimer's work. At the St Martin's Lane Academy his fellow students included Thomas Jones and William Pars. In 1759 Mortimer won a first prize for a study after Michelangelo's Bacchus and a second prize for a life drawing. He began to display his works on a regular basis from the early 1760s onwards. He became an active member of the Society of Artists and President of the Society in 1774.
Vicente Carducho
(in Spanish, sometimes Vicencio or Vicente Carducho; 1568-1638) was an Italian painter. He was born in Florence, and was trained as a painter by his brother Bartolomeo, whom he followed to Madrid as a boy. He Initially painted some works at Valladolid and helped his brother in painting at the Escorial for Philip II of Spain. He returned to the court of Philip III in Madrid in 1606 and helped decorate the recently rebuilt Palacio del Pardo. While at work his brother died, and Vicente took his place. He painted there a history of Achilles. When finished, he was employed for four years by the monks of the Chartreuse of el Paular to decorate their monastery with 55 canvases of historical figures the great cloister. 27 represent the live of St. Bruno, 27 of martyrs. He worked a great deal for the subsequent monarch, Philip IV, and his best pictures are those he executed for him as decorations in the Prado. Examples of his work are preserved at Toledo, Segovia, and several other Spanish cities. For many years he labored in Madrid as a teacher of his art, and among his pupils were Giovanni Ricci, Pedro Obregon, Vela,[disambiguation needed ] Francisco Collantes, and other distinguished representatives of the Spanish school during the 17th century. He also authored a treatise, De las Excelencias de la Pintura or Dielogos de la pintura, su defensa, origen, essencia, definicien, modos, y differencias, published in 1633. Written in classical tradition as a dialogue between a master and an apprentice. Following strict piety of the Spanish realm,






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