Raphael
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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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MENGS, Anton Raphael
Glory of St Eusebius
1757 Fresco
ID: 29642

MENGS, Anton Raphael Glory of St Eusebius
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MENGS, Anton Raphael Glory of St Eusebius


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MENGS, Anton Raphael

German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime   Related Paintings of MENGS, Anton Raphael :. | Self-Portrait | Portrat eines Architekten | Self-Portrait w7785 | Ferdinand IV, King of Naples | Portrat eines Architekten |
Related Artists:
Domenico Puligo
(1492-1527) was an Italian painter of the Renaissance, active in Florence. His real name was Domenico di Bartolommeo Ubaldini. He was trained by Ridolfo Ghirlandaio, but acquired a style consistent with his contemporary Andrea del Sarto. He painted a Vision of Saint Bernard altarpiece, now in Walters' Gallery in Baltimore. He was also in demand for portraits. He is featured in Giorgio Vasari's Vite or biographies of artists. He excelled as a portrait painter. He befriended Andrea del Sarto ane worked with Ridolfo Ghirlandaio. His brother, Jacone Puligo was also a Renaissance painter.
Joseph Heintz the Elder
the Elder (Basle, 11 June 1564 - near Prague, Bohemia, October 1609) was a Swiss painter, draftsman and architect. He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village outside of Prague. Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.
antoine jean gros
Baron Antoine-Jean Gros (16 March 1771 ?C 25 June 1835), also known as Jean-Antoine Gros, was both a French History and neoclassical painter. Born in Paris, Gros began to learn to draw at the age of six from his father, who was a miniature painter, and showed himself as a gifted artist. Towards the close of 1785 Gros, by his own choice, entered the studio of Jacques-Louis David, which he frequented assiduously, continuing at the same time to follow the classes of the College Mazarin. Bataille d´Aboukir, 25 juillet 1799, 1806, (detail).The death of his father, whose circumstances had been embarrassed by the French Revolution, threw Gros, in 1791, upon his own resources. He now devoted himself wholly to his profession, and competed (unsuccessfully) in 1792 for the grand prix. About this time, however, on the recommendation of the École des Beaux Arts, he was employed on the execution of portraits of the members of the National Convention, and disturbed by the development of the Revolution, Gros left France in 1793 for Italy.






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