Raphael
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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Peale, Raphaelle
Lemons and Sugar
1822 Oil on wood Reading Public Museum and Art Gallery, Reading, PA.
ID: 19808

Peale, Raphaelle Lemons and Sugar
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Peale, Raphaelle Lemons and Sugar


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Peale, Raphaelle

American Painter, 1774-1825 Painter, son of Charles Willson Peale. His mother was Rachel Brewer Peale. He studied painting with his father and assisted him in the museum. Raphaelle began to paint portraits professionally in 1794, but poor patronage in Philadelphia forced him to travel in the South and New England, taking silhouettes with the physiognotrace and painting portraits in oil and miniature. From about 1815 onwards, bouts of alcoholism and gout inhibited his progress. He turned to painting still-lifes, but these sold for small amounts.   Related Paintings of Peale, Raphaelle :. | Still Life: Strawberries Nuts | Still Life with Cake | Bowl of Peaches | Melons and Morning Glories | Lemons and Sugar |
Related Artists:
Alfred Rethel
1816 Diepenbend/Aachen-1859 Dusseldorf, was a German history painter. Rethel was born in Aachen in 1816. He showed an interest in art in his early life, and at the age of thirteen he executed a drawing which procured his admission to the academy of D??sseldorf. Here he studied for several years, and produced, among other works, a figure of St Boniface, which attracted much attention. At the age of twenty, Rethel moved to Frankfurt, and was selected to decorate the walls of the imperial hall in the Rmer with figures of famous men. At the same period he produced a series of designs illustrative of Old Testament history. Four years later, Rethel was the successful competitor for the work of ornamenting the restored council house of his native city with frescoes depicting prominent events in the career of Charlemagne, but the execution of this work was delayed for some six years. Meanwhile Rethel occupied himself with the production of easel pictures and of drawings. In 1842, he began a striking series of designs dealing with the Crossing of the Alps by Hannibal, in which the weird power which animates his later art becomes first apparent. In 1844 Rethel visited Rome, executing, along with other subjects, an altar-piece for one of the churches of his native land. In 1846, he returned to Aachen, and commenced his Charlemagne frescoes.
WERFF, Pieter van der
Dutch painter (b. 1665, Kralingen, d. 1722, Rotterdam)
BROEDERLAM, Melchior
Netherlandish Gothic Era Painter, ca.1355-1411 South Netherlandish painter. Broederlam's family, long-established in Ypres, provided three aldermen for the city and sided with the French Counts of Flanders against the Flemish populace. After a training that may have included contact with Jan Boudolf in Bruges before 1368 or Paris after 1370 and an extended visit to Italy, the artist became, by 1381, an official painter of the reigning count, Louis de M?le (reg. 1346-84), painting leather chairs, pennons and banners. On 13 May 1384, directly after Louis's death, he was appointed a valet de chambre to the count's heir, Philip the Bold, Duke of Burgundy.






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