Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Here are all the paintings of Sir Edward john poynter,bt.,P.R.A 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
65897 'The Visit of the Queen of Sheba to King Solomon' Sir Edward john poynter,bt.,P.R.A 'The Visit of the Queen of Sheba to King Solomon' 1890(1890) Oil on canvas
25393 Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37) Sir Edward john poynter,bt.,P.R.A Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37) oil on canvas 8 5/8x25 3/4in
25394 Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37) Sir Edward john poynter,bt.,P.R.A Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37) oil on canvas 11x31 7/8in
74839 Diadumene, Dimensions and material of painting Sir Edward john poynter,bt.,P.R.A Diadumene, Dimensions and material of painting Diadumene, Dimensions and material of painting: Oil on canvas, 20 x 20 in, Location: Royal Albert Memorial Museum, Exeter cjr
80462 Funchal, Morning Sun Sir Edward john poynter,bt.,P.R.A Funchal, Morning Sun Date 1877(1877) Medium oil on canvas Object history Auctioned about 2005 cjr
28316 The Catapult Sir Edward john poynter,bt.,P.R.A The Catapult 1868 Oil on canvas 155 x 183.5 cm (61 x 72 1/4 in) Laing Art Gallery Newcastle-upon-Tyne (mk63)

Sir Edward john poynter,bt.,P.R.A
1836-1919 English painter, draughtsman, decorative designer and museum official. He came from an artistic family: his great-grandfather was Thomas Banks the sculptor, and Ambrose Poynter, his father, was an architect and watercolour painter. Edward began studying art in 1852 under Thomas Shotter Boys, a friend of his father. In 1853-4 Poynter visited Rome, where he was greatly impressed by the large-scale academic painting of Frederic Leighton. Returning to London, he studied at Leigh's Academy and the studio of William Dobson (1817-1898). Poynter entered the Royal Academy Schools in 1855 but his admiration for French painting led him to Charles Gleyre's studio in Paris the following year. He remained there until 1859, with fellow students George Du Maurier, Thomas Armstrong and Whistler; their activities are described in Du Maurier's novel Trilby (1894). At this time Poynter received his first commissions for decorative work. He began designing stained glass and painting furniture and, after his return to England, he was employed by his friend the architect William Burges to decorate the ceiling of Waltham Abbey, Essex, in 1860.
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