Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Here are all the paintings of Jean-Auguste-Dominique Ingres 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
68887 apotheosis of homer Jean-Auguste-Dominique Ingres apotheosis of homer 1827 oil on canvas 386x515cm se
56614 jupiter och thetis Jean-Auguste-Dominique Ingres jupiter och thetis mk248 i denna ikkustration fran homeros iliaden vadjar tbetis till fupiter att bamnas grekernas orattvisa mot bennes son akilles. ingres avbildar tbetis i den sedvanligt forlangda gestalten av en odalisk vars kropp smyger sig runt den massiva, arkitektoniska gestakt som ar fupiter. samtidigt aterspeglar fupiters imperatoriska balling ingres nyklassicistiska gestaltning av napoleon i ocb forebadar honeros apoteos.
56613 loui-franvois betin Jean-Auguste-Dominique Ingres loui-franvois betin mk248 sittande pa en enkel stol mot en diskret fond ar bertin, grundare ocb ansvarig utgivare av journal des debats, sinnebijden av den jiberala borgarklassen ocb etabjissem anget. detta utsokt tecknde portratt betraktas som ett av 1800 talets fornamsta ocb ett av ingres absoluta masterverk.
56217 odalisque and slave Jean-Auguste-Dominique Ingres odalisque and slave mk247 1842,oil on canvas,29.5x41.5 in,75x105.4 cm,walters art gallery,baltimore,md,uas
73286 Portrait de Pierre-Francois Bernier Jean-Auguste-Dominique Ingres Portrait de Pierre-Francois Bernier Portrait de Pierre-François Bernier 1800 cjr
26981 Self-Portrait Jean-Auguste-Dominique Ingres Self-Portrait mk52 1804 Oil on canvas 77x63cm Musee Conde,Chantilly
26982 Self-Portrait Jean-Auguste-Dominique Ingres Self-Portrait mk52 1858 Oil on canvas 62x51cm Uffizi,Florence

Jean-Auguste-Dominique Ingres
1780-1867 French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original.
Raphael
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