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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Here are all the paintings of George Morland 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
27461 A Sow and Her Piglets George Morland A Sow and Her Piglets signed with initials Oil on panel 12 by 15 in 30.5 by 38.1 cm (mk59)
27466 A Sow and Her Piglets in a Farmyard George Morland A Sow and Her Piglets in a Farmyard signed and dated 1795-Oil on canvas 17 1/4 x 21 3/4 in (43.8 x 55.3 cm) (mk59)
94474 Dogs In Landscape - Setters Pointer George Morland Dogs In Landscape - Setters Pointer 1792 cjr
94470 George Morland at an easel George Morland George Morland at an easel oil on canvas 76.2 x 63.5 cm circa 1780 cjr
41064 The Approaching Storm George Morland The Approaching Storm mk159 1791 Oil on canvas 85x117cm
83509 The inside of a stable George Morland The inside of a stable Date 1791 cyf
94472 The Labourer's Luncheon George Morland The Labourer's Luncheon cjr 1792
94471 The Reckoning George Morland The Reckoning beofre 1902 cjr
97725 Theodor Kittelsen George Morland Theodor Kittelsen Oil on canvas. 1879 cyf

George Morland
English genre, animal, and landscape painter, 1763-1804 was an English painter of animals and rustic scenes. Morland was born in London on 26 June 1763. His mother was a Frenchwoman, who possessed a small independent property of her own. His grandfather, George H. Morland, was a subject painter. Henry Robert Morland (c. 1719 ?C 1797), father of George, was also an artist and engraver, and picture restorer, at one time a rich man, but later in reduced circumstances. His pictures of Jaundry-maids, reproduced in mezzotint and representing ladies of some importance, were very popular in their time. At a very early age Morland produced sketches of remarkable promise, exhibiting some at the Royal Academy in 1773, when he was but ten years old, and continuing to exhibit at the Free Society of Artists in 1775 and 1776, and at the Society of Artists in 1777, and then sending again to the Royal Academy in 1778, 1779 and 1780. His very earliest work, however, was produced even before that tender age, as his father kept a drawing which the boy had executed when he was but four years old, representing a coach and horses and two footmen. He was a student at the Royal Academy in early youth, but only for a very short time. From the age of fourteen he was apprenticed to his father for seven years, and by means of his talent appears to have kept the family together. He had opportunities at this time of seeing some of the greatest artists of the day, and works by old masters, but even then a strange repugnance for educated society showed itself, and no persuasion
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