Raphael
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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Here are all the paintings of Corrado Giaquinto 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
1474  Justice and Peace Corrado Giaquinto Justice and Peace 1759-60 Museo del Prado, Madrid
30009 Birth of the Virgin Corrado Giaquinto Birth of the Virgin mk67 Oil on canvas 28 3/8x40 9/16in Uffizi,
70660 Justice and Peace Corrado Giaquinto Justice and Peace Medium Oil on canvas Dimensions 216 x 325 cm
43284 Moses Striking the Rock Corrado Giaquinto Moses Striking the Rock mk170 1743-1744 Oil on canvas 136.5x95cm
79023 Portrait of Farinelli Corrado Giaquinto Portrait of Farinelli 1753(1753) Medium Oil on canvas cyf
1475 Saints in Glory  S Corrado Giaquinto Saints in Glory S 1755 Museo del Prado, Madrid
42055 The birth of the Virgin Corrado Giaquinto The birth of the Virgin mk166 1753 I Wave sbre cloth 72x103cm Uffizi, Florence
43283 The Brazen Serpent Corrado Giaquinto The Brazen Serpent mk170 1743-1744 Oil on canvas 136.5x95cm
66448 The Holy Spirit Corrado Giaquinto The Holy Spirit Oil on canvas 64 x 48 cm 1750s
68384 Tobias and the Angel Corrado Giaquinto Tobias and the Angel c. 1740 Oil on canvas 58 x 48 cm

Corrado Giaquinto
1703-1766 Italian Corrado Giaquinto Galleries He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long sojourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he married Caterina Silvestri Agate. The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto stylistic independence from Solimena, and reveals his stylistic dependence on Luca Giordano.
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