Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Here are all the paintings of Carlo Crivelli 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
21230 Annunciation whit St Emidius (mk08) Carlo Crivelli Annunciation whit St Emidius (mk08) 1486 Oil on canvas,Transferrde to wood 207x147cm London National Gallery
669 Annunciation with Saint Emidius Carlo Crivelli Annunciation with Saint Emidius 1486 National Gallery, London
33402 Annunciation with St Emidius Carlo Crivelli Annunciation with St Emidius mk86 1486 Oil on canvas,transferred to wood 207x147cm London,National Gallery
58511 Annunciation with St. Emidius Carlo Crivelli Annunciation with St. Emidius Annunciation with St. Emidius (1486) 207x146,5 cm National Gallery, London.
40257 Annunciation with St. Endimius Carlo Crivelli Annunciation with St. Endimius mk156 1486 Oil on canvas transferred to wood 207x147cm
58514 Crivelli Carlo Crivelli Crivelli Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
58512 Crivelli 1476 painting of Saint Stephen Carlo Crivelli Crivelli 1476 painting of Saint Stephen Crivelli's 1476 painting of Saint Stephen, with three stones and the martyrs' palm.
53709 Faith madonna with child, and the donor Carlo Crivelli Faith madonna with child, and the donor mk234 about 1470 130x55cm
39429 Jakobus of the boy with the Hl. Philippus and Bernhard Carlo Crivelli Jakobus of the boy with the Hl. Philippus and Bernhard mk148 Jakobus the boy to the left) considered usually to be Jesu brother becomes he holds a Tuchwalker-pole in the hand the tool its execution around 62n.Chr.)
20083 James of the Marche with Two Kneeling Donors (mk05) Carlo Crivelli James of the Marche with Two Kneeling Donors (mk05) Wood 78 x 25 1/2''(198 x 65 cm)Entered the Louvre in 1862
42868 La Madonna della Rondine Carlo Crivelli La Madonna della Rondine mk170 1490-1492 Oil and egg tempera on poplar 150.5x107.3cm
670 Lamentation over the Dead Christ Carlo Crivelli Lamentation over the Dead Christ 1485 Museum of Fine Arts, Boston
671 Madonna and Child Enthroned with a Donor Carlo Crivelli Madonna and Child Enthroned with a Donor 1470 National Gallery of Art, Washington DC
40210 Madonna of the Passion Carlo Crivelli Madonna of the Passion mk156 c.1460 Tempera on panel 71x48cm
94653 Madonna with Child Carlo Crivelli Madonna with Child 1470 (1470) Location Pinacoteca de Macerata cyf
85742 Pieta Carlo Crivelli Pieta Date second half of 15th century Medium Oil on wood cjr
55993 scene of pork butcher s shop Carlo Crivelli scene of pork butcher s shop mk247 c.1510,fresco (detail),castle lssogne,aosta valley,ltaly
84866 St James of the Marches with Two Kneeling Donors Carlo Crivelli St James of the Marches with Two Kneeling Donors Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in). Medium English: oil on wood Date 1477 cjr
672 St.James of Marche with Two Kneeling Donors Carlo Crivelli St.James of Marche with Two Kneeling Donors Musee du Louvre, Paris
673 St.Roch Carlo Crivelli St.Roch   
42867 The Annunciation Carlo Crivelli The Annunciation mk170 oil and egg tempera on canvas 207x146.7cm
55972 the annunciation,with st.emidius Carlo Crivelli the annunciation,with st.emidius mk247 1486,egg tempera and oil on canvas,81x57.675 in,207x146.5 cm,national gallery,london,uk
42866 The Dead Christ Supported by two angels Carlo Crivelli The Dead Christ Supported by two angels mk170 1473-1475 Tempera on poplar 72.4x55.2cm
55974 the vision of the blessed gabriele Carlo Crivelli the vision of the blessed gabriele mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
42865 The Vision of the Blessed Gabriele Ferretti Carlo Crivelli The Vision of the Blessed Gabriele Ferretti mk170 circa 1489 Oil and egg tempera on poplar 141x87cm
45685 Vekundigung at the Maria Carlo Crivelli Vekundigung at the Maria mk186 1486 London, Natinal Gallery

Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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